Baoshan Waste-to-Energy Center by Ballistic Architecture Machine (BAM)

Project Credits & Specs

• Architecture: Ballistic Architecture Machine (BAM)
• Photography: Derryck Menere, Beidouxing, (BAM)
• Location: Shanghai, China
• Area: 128,000 m²
• Year: 2025

Project Description

Shanghai has taken a giant stride toward sustainable waste infrastructure with the newly unveiled Baoshan Waste-to-Energy Center, the city’s latest power plant fueled by household waste. Formerly the site of a blast furnace, the Center now plays a critical role in Shanghai’s carbon reduction strategy. By transitioning industries and diverting waste from landfills, the facility saves an estimated 3 million tons of carbon emissions annually. Designed by Ballistic Architecture Machine (BAM), the new Center attempts a significant step towards a circular economy, demonstrating how waste infrastructure might evolve into sustainable urban landmarks.

This 128,000 sqm complex features two advanced waste-processing technologies: an incineration unit that generates electricity and an anaerobic digestion system that harvests biogas. The capacity is staggering, at 3,000 tons of dry waste and 8,000 tons of organic waste, respectively. Yet, in designing the colossal facility, BAM avoids the “decorated shed” paradigm common in modern industrial architecture. Instead, the design employs a camouflaging approach, combining architectural, landscape design, and public amenities, including a Museum of Waste and an array of recreational facilities. What might have been a monolithic industrial site is instead a dynamic educational destination and a new type of urban landmark at the intersection of landscape and architecture.

To begin, BAM envisions the larger industrial site as urban parkland, which is ‘lifted’ to integrate a set of buildings. BAM then develops the architectural envelope as a porous geological form. The roof includes large openings to satisfy fire safety requirements, resulting in a design that is not fully enclosed. With its permeable façade, from within the architecture appears more as a geological shell than a traditional building. This stands in stark contrast to the massive mountain-like presence the building presents from afar. A 4-hectare roof park further reinforces this integration, offering green space for recreation, education, and public interaction, while concealing the industrial functions beneath. Overall, the design rejects the conventions of the industrial typology by blurring the boundaries between architecture and landscape.

At the visitor’s entrance plaza, patterned structures playfully emerge from the veil of the industrial façade, forming the ‘mini-city’—a vibrant complex of exhibition and leisure spaces. Here, visitors’ journey to the Museum of Waste begins, an immersive experience that takes guests on a journey through natural history and the waste-to-energy (WTE) process.

Sustainability through public education

The Museum of Waste educates school groups and the general public through the ‘Story of Trash’, unfolding across a series of thematic, immersive environments. Moving beyond traditional educational formats, visitors travel through eras—encountering dinosaurs, exploring the birth of fossil fuels, the Industrial Revolution, and the inventions of plastics and semiconductors. As visitors progress through the exhibition, they gradually come face-to-face with the overwhelming scope of the waste problem, but also are inspired to contemplate their role in addressing the waste challenge.

Continuing the journey, the WTE Experience Hall offers an up-close look at key stages of waste processing, including crane operations, control room functions, incineration, baghouse filtration, and turbine room operations. In the turbine room, a cinematic experience animates the ‘Story of Trash’ narrative, bringing the inner workings of the facility to life. The factory tour culminates with the 4-hectare green roof park, offering a final peek into the waste-processing machine through the canyon-like openings in the roof.

The Baoshan Waste-to-Energy Center presents an innovative leap in waste management by integrating both waste-to-energy incineration and anaerobic digestion facilities. This combination allows for efficient processing of waste, where organic materials are converted into biogas for diverse applications, while non-organic waste is incinerated to generate electricity. This dual approach not only enhances energy recovery but also supports the principles of a circular economy by maximizing resource utilization and minimizing waste. While the integration of additional materials and resources (such as sustaining a park on the roof) may be challenging when evaluated solely against current sustainability standards, BAM’s vision is to establish this project as a transitional prototype. It is an experimental step toward integrating industrial facilities within urban cores, laying the groundwork for future green technologies and contributing to Shanghai’s long-term goal of carbon neutrality by 2060.

Moving safe and clean waste infrastructure into the city core is key to furthering the paradigm shift in waste management. This requires reshaping public perceptions to overcome “Not-In-My-Backyard” (NIMBY) social resistance. The ultimate goal is the transition to a circular economy, where waste-to-energy technology itself eventually becomes obsolete and the building becomes a civic space. In this light, the Baoshan project is not just a building but an urban landmark transforming waste into energy and reshaping social perceptions of waste.

The project description is provided by the architects via v2com.

About the Architects

Ballistic Architecture Machine (BAM)

www.bam.earth

Ballistic Architecture Machine (BAM) is a transdisciplinary design office creating award-winning landscapes and architecture since 2007. With a lengthy project sheet originating in groundbreaking public installations, BAM has evolved into a distinctive design leader with offices in Beijing, Shanghai, and Hong Kong. BAM believes that landscapes, as opposed to buildings, should be foregrounded as the icons of our cities. This reversal of the traditional design hierarchy enables us to address the environmental and social challenges of our century. Rooted in the understanding of landscape as a constructed cultural medium, BAM’s work transforms the confluence of urban spaces, boundaries, and peripheries into sustainable and celebrated spaces.