Project Credits:
- Architects: KRAK. architects | IG/krakarchitects
- Lead Architect: Konstantinos Stathopoulos
- Development: Tetraktys
- Location: Crete, Aegean Sea, Greece
A crooked line engraved in the Southern Cretan landscape
In the Southern part of Crete is designed by Konstantinos Stathopoulos the unique leisure residence Casa Katana.
The idea was inspired by the unique morphology of the plot and the particular characteristics of the site, the rock formations, its orientation, and its views. The start was made by closely observing the parameters of the site and asking the right questions. The main factors that influenced the architectural synthesis are the landscape and the southern Mediterranean beauty, the views towards the Libyan sea, and the climate conditions. In the above factors are added the contemporary needs and amenities that a modern dwelling may possess in order to constitute a state-of-the-art contemporary structure.
One of the main concerns was for the residence to be fully integrated into the landscape, living untouched by the beauty of the plot. Towards this direction, after lots of sketches, the idea came up in the form of a soft crooked line made by a fleeting watercolor monocondyle. This gesture was developed and en-graved in the plot resembling the mark of a sharp yet gentile cut from a Katana sword, thus giving its name Casa Katana.
The movement and sharpness of this crooked archetype take shape in the form of a continuous concrete blade that delimits the borders of the residence and provides a broader view in two basic directions. All the elements of the composition are constructed in accordance with this crooked trace that acts as the backbone of the residence. The components are designed dynamically in concern of the Northwest winds that take place in the region and they are sized in a harmonic ratio that provides motion to the whole composition and gives the feeling of a futuristic yet minimal structure. The building has an overall aerodynamic form as it was sculpted from the local winds for years taking a natural inclination toward the East.
Casa Katana is carefully placed above the rock formations of the site and high enough to provide unobstructed views and privacy at the same time. In order to present excellent thermal and sustainable behavior is partially underground and carefully studied according to the Mediterranean-North African climatic conditions, sunlight movement, and orientation. Natural light and ventilation are being filtered carefully giving a natural feeling and well-being to the habitants.
The basic Material is a colored concrete mixture composed of local aggregates. Its surface is treated to resemble the palette of the landscape and the texture of the rocks. At the same time, it provides durability, low embodied energy, and minimum possible maintenance. In addition, the colored concrete contributes in a monolithic feeling and aesthetic to the structure giving a cave sense to the habitant.
The user approaches the building from the underground, the entrance is transferring the user to the interior where a play of light and shadow unfolds in an experience of discovery. Following the trail of the slab, the living areas and the rooms are revealed, offering stops and views. Since the Cretan climate promotes outdoor living a large part of the house is dedicated to the outdoor and semi-outdoor spaces in an open layout. Window frames open up to a logic of a semi-outdoor transition so that the whole house operates passively during the summer months.
The habitant is urged to live and explore the natural beauty of Southern Crete combined with a unique architectural experience. The challenge in architecture is to design a residence that combines reason and dream. A residence must possess a functional character according to the rules of building and bioclimatic design but at the same time must be able to speak to the human soul.
Casa Katana is a refuge in the landscape made of myths and the soil of the Cretan land. As if it were made to live in its bowels a Minotaur and the engravings of movements, like another thread of Ariadne to lead your way inwards and from there back out towards the light of the Libyan Sea.
The description is provided by the architects.
